Some notables from a year of reading:
- Favorite old-men-contemplating-their-lives nearly plotless novel (a micro-genre exemplified by Gilead and Jayber Crow): Death Comes for the Archbishop (Willa Cather) — I’d had this on my shelf for years, since I found it at Goodwill shortly after falling in love with Shadows on the Rock, but I haven’t much liked the other WC I’ve read in the interim. This one knocked my socks off and I know I’ll reread it someday. I was enchanted, and now have a much stronger desire to finally see the American southwest.
- Time travel/history/Catholic mysticism nominee: Sun Slower, Sun Faster (Meriol Trevor) — I talk about it here.
- Best discussion fodder: The Genesis of Gender (Abigail Favale). I read this over summer vacation and then met with a much smarter friend over gelato to grapple with it. I didn’t love the beginning or end and I’m skeptical of the veracity of the subtitle (A Christian Defense) as it relies heavily on a Catholic argument against contraception, but I appreciated Favale’s methodical building of an argument and contextualization of hot button topics.
- Most upsetting but rewarding realistic fiction: Yolk (Mary H.K. Choi)—I might not have finished this except that my sister loaned it to me, and I’m so glad I did. Both Jayne and June are prickly, broken people and it took me awhile to see what Choi was doing with her narrator and the story. But of what I’ve read this year it’s one of the books I think of most often, even if it was difficult.
- Most delightful and thoughtful literary fanfic: Miss Austen (Gill Hornby). I talk about it here.
- Best audiobook experience: Fortunately the Milk (Neil Gaiman). A friend recommended this one to us and we all guffawed our way through it on a short road trip to the monastery earlier this year. Since then, Pip and I have read it aloud together again and enjoyed the insane illustrations.
- Favorite poetry: Richeldis of Walsingham (Sally Thomas). Lovely. I am a sucker for stories that weave in and out of time over a bit of land, and these narrative poems surrounding Mary’s apparition in England and the history of that one place sure delivered. I hope we can make a pilgrimage to Walsingham this summer.
- Most pleasantly perplexing: Piranesi (Susanna Clarke). I read a tolerable number of books and while I haven’t read exhaustively in fantasy and science fiction I can usually tell what tradition a story is working out of and guess some of the reveals. Not this time! John read this aloud to me in the weeks before and after Teddy was born, and the sweet narrator kept me guessing straight through.
- How did he ever plot this? Award goes to: Cloud Cuckoo Land (Anthony Doerr). A friend mailed this giant tome to me and I read it during one cold week in January and it kind of blew my mind. There was the same beautiful prose as in All the Light We Cannot See but the disparate strands here absolutely defy categorization. There are strands of science fiction, literary fiction and historical fiction and somehow—somehow—they all work. Such a wild ride. I loved it.
- Best comfort read romcom: Very Sincerely Yours (Kerry Winfrey). I read this at the end of 2022/2023, exhausted, traveling, and, unbeknownst to me, rapidly slumping into gestational diabetes, and it was just what I want in a romance: funny, charming, with a strong sense of place, engaging side characters, a bit literary and not too explicit.
- Book I most want to live inside: The Little White Horse (Elizabeth Goudge). It took me and Scout several terms and a couple restarts to get through this, but I’m so glad we did, because we both enjoyed it so much that for her last birthday I gave her a new copy (the dog having eaten the cover off our original) and a little pink geranium of her own. Things I look for in books for Scout: strong but feminine female leads, lots of beauty, descriptions of flowers and clothes, maybe a fantastical creature or two. This delivered.
- Best sick day book: Spinning Silver (Naomi Novik). I didn’t end up liking the whole book as much as the early chapters hinted I would, but I enjoyed the fairy tale aspects, the unusual perspectives, the mysterious, foreboding tone of the early chapters. I can see how those would be difficult to sustain, though — I just wish some of the protagonists hadn’t dealt in such morally questionable behavior and been rewarded for their wiliness, even if that’s in keeping with folk tales generally.