This year I found myself in an overstuffed car on Epiphany, brimful with Christmas gifts and children and a dog and spilled Apple Jacks. I had worn second-day tights to the early Mass in Oak Ridge, Tennessee, that morning, and we’d stepped delicately over ice to load up into the car, and finally, after three weeks of travel, we were on our way home.
I’m not sure I ever noticed Epiphany before I became a mother, but when he was a baby, Pippin’s godmother thrifted him a copy of The Third Gift, which at first mostly caught his attention because the protagonist looked to him like Aunt Beca. (At the time she was sporting a pretty great pixie.)
The plot is merely a footnote or preamble to Epiphany: the life of a boy who apprentices his father in the collection of myrrh, and how some of that myrrh is sold to strangers from far away. It’s simple and lovely, and brought to life Epiphany for me in a new way, especially Bagram Ibatoulline’s concluding illustration: a little cave-like barn, on the horizon, the glow of the city; and in the barn, clustered haphazardly, mysteriously, those central figures we’ve seen all Advent, all of it looking like chance.
The story of the three kings has a sort of quiet fairytale beauty after the high drama and tinsel of Christmas, doesn’t it? That frisson of fear with big, bad King Herod looming. The mysterious star, the moonlight. Strangers on a strange landscape. An improbable meeting. Everything pointing to a future no one yet understands.
And maybe it was thinking about the little myrrh-gatherer that made the thought occur to me, but what became of those gifts? If Jesus is truly the child of the poor, a soon-to-be refugee, are the gifts hocked on the run to Egypt? Or do they later fund his ministry? Are they given to adorn the Temple? Or do they endure in secret long past Jesus’s death, tucked away in a basket, pored over by she who pondered these things in her heart?
In this little episode, we get all the otherworldliness and everydayness that is Christ among us. And we get Epiphany on the tail of our own gift avalanche, with its enduring tokens of far away people who love us, crammed inelegantly into our humble, aging car, pointing to the magic and beauty that lingers in the chaotic Christmas aftermath.